in the time of autumn,
over the rainy streets the trees
bend and hover like dying grandmothers.
I have been down these streets
on evenings when I did not want to keep living,
and they gave me their susurrations as a balm.
In the city of crows,
a small village where
everyone in the world lives,
I met a woman who was two shadows,
one behind the other but it was a third who spoke.
I saw only one shadow, heard only the words I already knew.
Now there is no woman, and I know less than when I began.
In the city of crows,
by the canal where the
coins turn to fish of white, gold, and black,
my blood turned to cold water, stopping my heart.
An old acquaintance brought a loaf of bread to my side,
still warm from my own oven or so they said. They hit my heart
with the fist that had held the loaf, and I lived again but in their debt.
In the city of crows,
there is no newspaper,
and the devices there die
each year when dusk paints the days.
If you want to see me, listen for weeping
in the forest of shadows, where night and leaves fall alike.
I am there, reciting this poem in a second language made of regret,
shame, love, hope, and death. My body is a wick, time the wax,
and the crows the scattering sly-eyed ash.
______
for Desperate Poets.
This is amazing. Small village where all the world lives, where the sound of trees in the wind give us hope.
ReplyDeleteAnd these:
"the trees / bend and hover like dying grandmothers."
"by the canal where the / coins turn to fish of white, gold, and black, / my blood turned to cold water, stopping my heart"
"My body is a wick, time the wax // and the crows the scattering sly-eyed ash."
...where "the trees bend and hover like dying grandmothers". How I would love to write a line like that! I love the woman who had two shadows but it was the third that spoke....and the city of crows, of course, as my village is FULL of crows! Your last stanza is superb - unbeatable - breathtaking. I love it.
ReplyDeleteCity of crows is a great haunt for this nekyia of losses (you ever read Li-Young Lee's "The City In Which I Love You"?). A urban landscape of the dead, lamping when we dream. I've been wondering how a poet can understand their voices, and I got a great image in "I met a woman who was two shadows, / one behind the other but it was a third who spoke. / I saw only one shadow, heard only the words I already knew. / Now there is no woman, and I know less than when I began." ... A "second language"! I dreamt last night of walking in the empty building where the city newspaper where I worked awaits the wrecking ball. How much I recall of that dream here.
ReplyDeleteAn unearthly, haunting feel to this one, full of nuance and rustling in the dark. How all our reaching sometimes only brings us a fist to the heart, debt or remorse, or worse, shame. But something else, as well, that is the quiet light behind it all. So many stark and quotable lines in each stanza, Shay, but I especially love "..Now there is no woman, and I know less than when I began..." That last line is brilliant, black as a crow and glistening with feathery tears. Some fine writing here.
ReplyDeleteMaybe it's just the type of person I am, but I love the haunted and somber tone of this. Like when I am walking in the dark and I am more a part of it than alone. This poem curls around you with those repetitions and makes you walk it home, lonely, but glad to be there all the same. And that brilliant close, including shame, which is a poem all it's own.
ReplyDeleteVery haunting imagery, I love the whole second verse : "In the city of crows,
ReplyDeletea small village where
everyone in the world lives,
I met a woman who was two shadows,
one behind the other but it was a third who spoke.
I saw only one shadow, heard only the words I already knew.
Now there is no woman, and I know less than when I began." - it makes me imagine that this is perhaps how nature, if they would verbalize like humans, would say it sees us.
Such mysterious nuances of shadow and light, of hope and foreboding, all caught up in parable-like imagery, stories waiting to be told and understood. Captivated by every stanza, every line, Shay.
ReplyDeleteWow, Shay. Vivid af. It's been a while since I've read you and your poems are as potent than ever. The second and third stanzas in particular here are so compelling. Hope you're well, lady of the crows :)
ReplyDelete