full of thalidomide Weebles, armless, legless
and sleepless as well--always upright,
awake all night wandering the rooms.
No use locking the doors or pulling the shades--
the entire back of the house open to flood and tornado.
The whole place an ossuary--urn your keep, Weebs.
And me, Queen of the whole shebang, a six-year-old Persephone.
No surprise, then, to find me in new adulthood,
still covered with the vernix of near-innocence,
living on tuna fish and rainwater, perched
in the henhouse on my hope chest, waiting.
That was when you appeared, rising like a helium balloon,
floating in place beneath the crude umbraculum
with a censer in one hand and a lily in the other,
in full Papal costume, my real-life Weeble-God.
We fed each other party crackers and absinthe,
le fee verte, "The Green Fairy," faux artists in our henhouse garret.
Our flock all turned from Rhode island Reds to common crows.
We are a House that cannot be toppled, like Weebles ourselves,
though the giant half-grown bitch beyond the open back wall
keeps trying to poke us, smoke us out, or otherwise tamper
with our great love and legacy--hers if only she would pause,
consider, and accept us as deities. cast in plastic and immortal.
_______________
for Word Garden Word List--Four-Legged Girl
Music: Van Halen Little Dreamer
What a rich and intoxicating poem of finding place in the world and vivid childhood memories followed by a new beginning - I remember Weebles..Jae
ReplyDeleteThis is rather brilliant. I longed for a dollhouse when I was a kid....I love the legless armless Weebles wandering the rooms all night . I think I like imagining the backstory hidden behind the lines as much as what is actually written. Superb writing.
ReplyDeleteThat moment when you realize the POV changes from the owner of the dollhouse to the dolls' --- like an absinthe-induced nightmare of a childhood dream. Wild and tragic at once.
ReplyDeleteNothing like generational trauma to ruin a perfectly good doll house.
DeleteI love all the unique little conceits in this, from the 'thalidomide Weebles' to the immature poking diety, the henhouse that turns hens into crows, and the sense of a childhood that is carried forever like that umbraculum, both a symbol and a protection for an exposed innocence. Like so much of your work, this is complex under the wry metaphors, perfectly layered, full of truths and sadnesses and wisdom.
ReplyDeleteI am not sure I thoroughly understand all the metaphors, and I may be very wrong in thinking it is a commentary on growing up....but that is what comes to mind.
ReplyDeleteThis is so full of imagination. It is like the child in you found its adult voice and let it fly. I love the whole poem, but your opening is amazing.
ReplyDelete"thalidomide Weebles!!!!!" Omg. That is so good. I love their lives, and the interfering god.
ReplyDeleteWell, this is quintessential Shay! Surreal with an edge of dark but so compelling. I love the clever wordplay with "ossuary" and "urn" and these bits especially:
ReplyDelete"a six-year-old Persephone"
"living on tuna fish and rainwater"
"That was when you appeared, rising like a helium balloon" - this image is somehow so delightful and dreadful at the same time, like a clown that turns on you, just the perfect image in a scene from a horror film before things get really dark! Bloody brilliant.
😄
like rollerblading while high, this was a blast Shay! naturally, and since it's sunday, i'm picturing tiny plastic deities taking "communion" on their tongues-- thalidomide (body/host) and absinthe (blood/wine). it's amazing how all that catholic symbolism gets burned into your brain. forever.
ReplyDeleteThis reminds me of a house of cards. Definitely a lot of deeper messages crawling around the rooms here! Another brilliant poem Shay!!
ReplyDelete