Reanimated Lavender Granola Switchblade Nun rides again.

Saturday, November 15, 2025

The Call

 There is moonlight
on corn stubble
by the side
of a highway.

The moonlight
is a Gypsy
a profligate
reflected child

and yet it kisses
the corn stubble, denied all wandering
except into death
where it has already gone

by the side of the highway
which only runs
east or west
north or south
this way or that,
never varying,
like an office worker who has been there
for far too long.

My bones are a tarmac
that I have traveled on from earliest memory
to this very moment.
I am an old barn, gone gray.
No one touches me
and I touch no one
except with these poems.
I write them
to keep from screaming.

I wonder,
where does this road end?
Am I a cornhusk doll
in the hands of time,
or am I moonlight--
a messenger from a mother a million miles away?

I have been a child,
a partner,
a parent,
a friend,
a cautionary tale
and rain in the desert. 

Now I am tired
though I still love leaves
dogs,
sunrise,
books,
poetry.

If I lay down in the moonlight
between the old rows
near where the semi trucks rumble 
going here
or there
could I rise
into firmament?
Is all of this some kind of holy circle
or would I just turn to dust
inside my flannel and wool?

I will ask the corn.
I will ask the traffic.
I will ask the moonlight.
I will ask the night
that has wrapped me from cradle to grave
and if it answers
I may get up in the morning
and call you--
yes, it's me
and I am as surprised as you are. 
________



6 comments:

  1. Wow. To read this right after watching Andrea Gibson's documentary is a TRIP. I love it: the "I have been"'s - rain in the desert especially. Your loves, which I love too. And that closing stanza. Holy catfish, you have just served up a poetic feast. Touching no one except with your poems is something I relate to. This poem came all the way in. Smiles.

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  2. If you call, I'll pick up...and if I don't, I'll ring you back, ha. What a great ending--the surprise comes as a surprise gift. And speaking of endings, I hope to see you on the other side of the end, no matter what the corn says.

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  3. Your words are like moonlight itself, turning all it touches into gold, turning the darkness into a light sent from "a mother a million miles away," an assurance of things hoped for, unseen.
    "I have been a child,
    a partner,
    a parent,
    a friend,
    a cautionary tale
    and rain in the desert."

    All these I identify with. Including "A cautionary tale"-- Can we survive it? Outcastes. Shamed. Yes, we can and have, to be "rain in the desert." How humbling. How perfect.

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  4. There is such a matter of fact quality to the sorrow here, an acceptance that is still not as yet surrender. I love the imagery, and the discipline of the stanzas that hold at bay all the devils of the mind and heart even while serving them a cup of coffee and a morning paper. A fine poem, Shay, full of winter.

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  5. This feels like a long late-night drive with your own soul, just moving- bruised and glowing, holding every big question so tenderly.

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  6. I absolutely love this. Beautiful and earnest and true. I especially loved it from the 5th stanza going right through to the end.

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Spirit, what do you wish to tell us?