everyone remarked about it.
Simply leaning back in a chair
with his coat open,
and that devil-may-care casual air--
it made me feel a little drunk, just watching him.
He wasn't gay
as some of us assumed.
Vi said no, with a canary-cat smile
and she would know, better than us sparrows.
She told the story
how the war shattered him.
Six weeks in hospital
and the art therapy that brought him back.
Looks and talent, despite a hand tremor that lasted a year.
He was elegant.
You'd feel like the only woman in the room
just because he offered you a cigarette.
With a wave of his hand he dismissed his work as trash
and said better to be
a bricklayer or a dentist.
The thing is, he seemed to mean it
and it felt like watching him vandalize his soul.
He was loved.
One look at Vi told us that.
She said there were nights when he believed he was dying,
and went to doctors in the morning.
They told him, you're fine, really, stop worrying.
He was on the phone one evening with his sister
when Vi said his face changed.
When she asked him he said he'd mentioned his art
and the sister had laughed
saying, oh, you're still doing that.
He loved to walk
at night when the air was cold and clear.
He told Vi he was going out for a smoke--
this war veteran,
this handsome, talented, loved man--
and he did.
Then he'd stepped off a bridge into the cold water far below.
At the funeral, Vi slapped the sister, caused a scene.
He wasn't there to smile and smooth it over, for any of us, anymore.
________
Music: Billy Joel Goodnight Saigon