Reanimated Lavender Granola Switchblade Nun rides again.

Saturday, May 2, 2020

Russian Doll

You cannot, ever,
said the night around the sleeper 
in her empty fullness of dreams too real for remembering.

No. Never,
say mouths of faces looking in
from beyond a smoked glass.
She cannot touch them, they are too far.
She cannot be touched, she is further yet.

Here is a heart you cannot have.
Here is a fist you can.
Here is laughter with you, but foreign.
Here is laughter at you, that uses your real name.

You can die, we can kill you,
say those holding roses at the wrong door.
You can die, you can suicide,
say the voices without bodies to your body with its lock.

I am a Russian doll,
says the girl inside the woman inside the skin.
Walk out any time you like, say the mute ghosts.
You are a disgrace, 
say the holy, standing blind in filthy mirrors.
You are mine, says the workman
bloody with her wounds, reaching his hand
at the edge of a precipice.

You are known,
say the stranger in the desert 
and the woman waiting.
You are more than this husk of flesh,
says the silent angel 
on this bare dirt path a breath away from union.
________

for Sunday Muse #106.





13 comments:

  1. I absolutely love the way you have taken the dark nightmare in the beginning and trailed it to the brightness of the soul within at the close. Amazing poetry as always my friend!!

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  2. Whoa, this took my breath away, the child within the woman, Russian doll, "here is a heart you cannot have", the silent angel, "a breath away from union." Spectacular.

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  3. From darkness to light, I love the way you released the Russian doll, Shay! The ‘mouths of faces looking in / from beyond a smoked glass’ are quite threatening. I like the repetition of ‘Here is…’, a list of offerings, followed by blatant threats, and how she is saved from the violence of the workman by the silent angel.

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  4. This reads like a poetic first draft of a play waiting to be staged.

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  5. I often talk about finding words in a cauldron--here you have simmered a life, basted your poem in its blood and bone, and ladled up layer after layer of incredibly real and vivid language to describe what is often a maelstrom totally indescribable because of its alien force and its brutality. Yet the final stanza is sweet as honey and full of the knowledge of good and evil that time can give us when we are lucky. And I am lucky to read this--I am wanting to quote, it's almost impossible not to, but I will just cite my favorites: the amazing opening stanzas, full of secrets and distance, the third, the stand out for me, so simple, so viciously true, especially 'laughter, but foreign,..laughter...that uses your real name.." The fourth and fifth bring tears, for we've all been shamed and abused by those hands and words that *intend* to wound, and the perfect segue to the close, which is redemption in its simplest, sweetest voice. My god you are good, girl. If I'd read this before writing, I think I would have just gone back to bed and pulled the covers over my head. ;) Oh, and the absolutely perfect title. One of your best, Shay. Ever. And that covers a lot of ground.

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  6. Your words transport me, they titillate, confound, depress and encourage...and at the end I return to begin again!

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  7. This is THE coolest piece.

    Favorites:

    “You cannot, ever,
    said the night around the sleeper”

    “Here is laughter with you, but foreign.”

    “You are mine, says the workman
    bloody with her wounds”

    These gave me chills:

    “You are known,
    says the stranger in the desert”

    “You are more than this husk of flesh,
    says the silent angel
    on this bare dirt path a breath away from union.”

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  8. This is a mute woman with no memory, living in an institution, I think. She is unreachable.

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  9. Oooh! -- "You are a disgrace,
    say the holy, standing blind in filthy mirrors."

    And this is very cool: "we can kill you,
    say those holding roses at the wrong door."

    As usual you killed it in the last line.

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  10. She cannot touch them, they are too far.
    She cannot be touched, she is further yet.

    There seems to be many factors that are trying to make things difficult. Rightly so Shay! A lot comes into play these trying times, all because it is invisible!

    Hank

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  11. So many try to make us part of their story, try to name us, tell us what we can and cannot ... but then we get to the desert and the voices give us space to be ... maybe just a little space is enough as we heal into death. Your choices are powerful--near and far, fists, laughter, holy ones calling on disgrace--oh so much pain. I fear "Russian Doll" is quite real for many of us, but I hope not. I hope we can leap forward much much sooner--

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  12. PS: Thank you for Ane Brun--new to me!

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  13. From darkness to light, as the Russian dolls within dolls become smaller and smaller. Fabulous poem, Shay.

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Spirit, what do you wish to tell us?