is hard to hold,
but harder
to hold inside.
Mary Pickford tried to destroy all her old films--
the fragile, flammable celluloid
her incandescence lived in.
A new generation found the silents simple and sentimental,
and their "talkies" stars spoke
in a clipped, faux-English way
while portraying canny, glib sophisticates.
Mary didn't want to be made fun of.
Honest emotion had gone out of style,
much as it has today.
Still, everybody wants to be made to feel
that their loves, hopes and desires,
their pain and struggles
mean something noble, something beautifully human.
Everybody would like to be young, beautiful, and in love,
and everybody would like to kick the landlord in the butt.
As the lady said,
silent stars didn't have words, but they had faces.
Florence La Badie can forever lean over a balcony,
gone for 90 years,
smiling for a lover dead for decades,
and she will always be gorgeous, and alive, and we will want to be her.
See the little dog running down the dirt road
after the Gish sisters.
We hope they turn around.
We hope he catches up,
because we all know what it's like to be found
or left behind.
"They're so blessed, so lucky,"
we say of movie stars,
and we wonder why they flicker,
though it isn't such a mystery.
Incandescence
is hard to hold,
but harder
to hold inside.
________
for Kerry's silent movie challenge at Real Toads.







